This is an open community call to populate the walls of the Clara & Allen Gresham Art Gallery of San Bernardino Valley College with the words and images of what life looks and feels like across San Bernardino County. This could be photographs of the view from your window or a portrait of your family. This could take form as a short poem or a collage of postcards from your local gift shop. These walls are going to represent the vivid, textured layers of our lives that we can never see in one pass on a map.
Where do you find yourself, in whose company, in what layers of culture, history, religion, and environment? What are the ways you share that experience with those around you?
A map only contains the layers of information we decide to include and the lens we choose to put on. When you look at a map of San Bernardino County, it is a vast space containing over 20,000 square miles, where 75% of the population lives on just 2.5% of the land. But this data doesn’t convey the rich experiences each of you have with the land you love, steward and share with those closest to you.
We are creating a gallery sized portrait of those selves and those places that populate the largest county in the lower 48. Those 24 cities, 27 census designated places, 77 unincorporated communities, 5 reservations, and 3 ghost towns.
Eligible media & size restrictions:
Work should NOT be framed, but should be rigid enough for hanging. Email or digital submissions will be printed free of charge. No frames will be added. Images will be mounted on foam core for hanging.
Mail in:Work will not be returned, but will be available to be picked up at the Arts Connection office following the show end, between October 7-21, 2019.
o 2D (painting, drawing, photography, assemblage…) maximum 24 x 24 inches
o 3D (maximum 2 x 2 x 2 feet)
o Poetry and prose (maximum length 1 legal size page, formatting and font are up to the individual)
Digital: online form or email:maximum size we will print is 11x 14 inches. Files must be at least 300 dpi and all specifications for how the work should be printed should be included in the submission form.
o Images of art work, all mediums accepted
o Photographs as part of project or place documentation, or as standalone work
o Poetry and Prose
In person:Dropped at the Gresham Gallery on September 7, 2019 (10am-2pm) or beforehand at the Arts Connection office by appointment:
536 W 11thSt San Bernardino CA 92407
Email to set up a drop off time.
o 2D (painting, drawing, photography, assemblage…) maximum size 24 x 24 inches
o 3D (maximum 2 x 2 x 2 feet)
o Poetry and prose (maximum length 1 legal size page, formatting and font are up to the individual)
Deadlines: Dates, Locations, and Contact Information
Mail-in or email submissions:
o Mail submissions to: CSUSB-Arts Connection: The Arts Council of San Bernardino County, 5500 University Parkway, VA 308 San Bernardino CA 92407
o Online submission form:
In-person drop off:
Deliver work to:
San Bernardino Valley College, Clara & Allen Gresham Art Gallery
701 S Mt Vernon Avenue, San Bernardino, CA 92410
(10am – 2pm) Parking on campus is $3 and requires cash in dollar bills only. Lots along Esperanze St. are closest to the gallery building.
Drop-off’s before 9/7/2019 should be delivered to:
Arts Connection at the Garcia Center for the Arts
536 W 11thStreet, San Bernardino, CA 92407
Self & Place: Refinding San Bernardino Countywill exhibit all works submitted with the exception of artwork or written work that expresses or condones acts of violence, discrimination, or sexual exploitation towards any person. No work shall be for sale.
With each submission, please include the following information:
Subject line of the email: Refinding submission: Last name
1. Full name of the artist
2. Email address or other contact information
3. Name of city, town or community in which the artist resides
4. Short bio of the artist, including social media info.
5. Art work or submission title, medium, location and date created
6. Narrative or statement about the work (one sentence minimum)
For questions, please call
This open call, juried exhibition is a biennial event. The
best artwork of WEPOwill be awarded cash prizes and
be invited to exhibit a portfolio of photographic artworks
the following year in the biennialWEPI. Submit artwork
today and share your vision and creativity with San
Bernardino’s vibrant west end community.
(the last day to enter is AUG 10, 2019)
Go to the CCMA website for further information:
217 S. Lemon Avenue, Ontario, CA 91761
Saint John’s Episcopal Church is sponsoring a Community Film Project to highlight the uplifting and positive efforts of the local San Bernardino community to support relationships in their neighborhoods. Through generosity, beauty, and grace, the films to be produced as a part of this project will tell the stories of the people who are living and working together to make our communities stronger, together.
Selected artist(s) will be required to work directly in the selected communities and facilitate storytelling and filmmaking workshops to co-create storylines for the films to be produced. Three short films (3 minutes each) will be produced and screened at a community event, hosted at St. John’s Church at the completion of the project in September 2019.
Deadline to Apply is April 29, 2019
Application and more information can be found online:
A project of St. John’s Episcopal Church
Grant funding provided by: Feeding Hungry Hearts Foundation
Prepared by: Arts Connection - the Arts Council of San Bernardino County
Exhibition Services Coordinator for Sam Maloof exhibit
Ontario Museum of History & Art
● 225 Euclid Avenue ● Ontario, Ca 91762
Exhibit Dates: Thursday, January 23, 2020 to Sunday, March 19 2020.
Services on the project shall begin immediately and shall be completed by April 30, 2020.
Scope of Work:
1. In consultation with Museum Staff and assistant in the development of the exhibition’s concept/theme.
a. Participate in development meetings with Museum Staff.
b. Assist in the produce of an exhibit timeline in conjunction with Museum Staff.
c. Consult with Museum Staff on budget and expenses. All expenses must be pre-approved in writing by the Museum Director.
2. Research exhibit content, artifacts, and artwork.
3. Draft an interpretive materials for use in the exhibition.
a. Assist in developing interpretive panels.
b. Assist in creating marketing materials.
c. Assist in creating a gallery guide/publication.
d. Assist in drafting label text for Museum approval.
4. Be physically present during installation as needed/jointly determined with Museum Director.
5. Assist with public program development and conduct or produce workshops or reception. =
6. Assist with distribution public relations/advertising materials to community/social media.
a. Coordinate with Museum Staff to promote the exhibit.
b. Work with the Museum Staff to produce and distribute any marketing and PR materials with approval of the Museum Director and the City of Ontario.
7. Collaborate with the Sam and Alfreda Maloof Foundation, Chaffey Museum of History and Art, the Ontario Museum of History and Art, artists, vendor, and city departments.
Interpretive Materials 35%
For consideration the Museum is requesting a resume, exhibit portfolio, and professional references.
No phone calls please
Deadline for submission is April 30, 2019 at 4 PM.
Pay will be discussed at selection.
If selected the Museum will need: proof of liability insurance coverage.
The essential functions performed by the Exhibition Services Coordinator typically include the following:
- • Assist in-house exhibition research, development, preparation, and installation.
- • Assist Exhibitions, Education and Collection Curators on expanded public program development.
- • Assists and coordinates in development of exhibits using collection based objects.
- • Assists and coordinates in the development of graphic materials related to cross marketing with local and regional exhibits.
- • Assist curatorial positions and provides support in focus areas of exhibition
- • Assists and coordinates with the development and implementation of marketing strategies and tools.
Equivalent to a Bachelor’s degree from an accredited college or university in
Art, History, or closely related field.
Two years of experience with installing, uninstalling, crating, and preparing museum exhibits for travel, including one year of program event development and implementation.
Valid Class C CA driver's license and an acceptable driving record at the time of appointment and throughout employment.
JOSHUA TREE ART GALLERY PRESENTS JTAG EXPO 2019.
Call for artist submissions for JTAG EXPO 2019.
Saturday, June 15 to Saturday, June 29 2019. OPENING RECEPTION: Saturday, June 15, 6 to 8 pm
Artist Agrees to the following.
Maximum size 30” x 40” in any dimension
A label on the back of the art is required stating: Artist, Title, Medium, Size, Price. All Artwork must have hanging fixtures and a label on the back.
Artist assumes full responsibility for Insurance of Artwork, Delivery and Pickup. Artwork may be shipped to JTAG, PO Box 1107, Joshua Tree, Ca. 92252. (Prepaid label w/Return Address.) JTAG Gallery reserves the right to refuse any work not suitable for the exhibition.
JTAG Gallery assumes responsibility for hanging of artwork ‘Salon Style’.
No commission will be taken on sales. Sales tax will be collected.
It is the artist’s responsibility to pay the tax to the proper authority.
JTAG and its members will not be responsible for loss, theft or damage to the work of art submitted.
A check for 30.00 one entry, two entries 45.00 is to be made out to: Joshua Tree Art Gallery
Deadline for application submission is:Tuesday June 1st, 20189
Artist will deliver Art to JTAG: Monday, June 10 •10am to 12PM
Artist agrees to pick up work on: Sunday June 30 • 12 - 2PM pm Any work not picked up will become the property of JTAG.
Tear off and send with check
Check the attic, the closet and the garage for gently-used wall art pieces and donate them to the Attic Art Sale to help raise funds for art education in Redlands. Sponsored by the Redlands Festival of Arts (RFA) and the Redlands Art Association (RAA), the Attic Art Sale is a two-day art event with over 300 pieces of art that might typically be purchased in a gallery, but at bargain prices that could yield some lost treasures.
The sale opens Friday, March 1, with a $25 per person cocktail party preview sale, 5:30 to 8:00 pm, at The Museum of Redlands (MOR), 700 Brookside Ave. The collection opens to the public on Saturday, March 2, from 8 am to 3 pm.
Event organizers are seeking donations of wall art, which can be dropped off until Thursday, February 28 at the offices of Lois Lauer Century 21 Realty, 1998 Orange Tree Lane, from 9 am to 5 pm, Monday thru Friday, and 10 am to 4 pm on Saturday and Sunday.
Art donors with questions should call Shirley Harry: 909-214-7179 or email her: . For general information or to purchase preview sale tickets, call the RAA at (909) 792-8435.
Shirley Harry, Event Chair, said, “This is a wonderful opportunity to edit your wall art collection and share art that you’ve enjoyed, but no longer have a place to display. Best of all, you’ll be helping us raise badly needed funds for arts education programs.”
People often call the RAA and the RFA to ask what they can do with inherited artwork or pieces that they’ve purchased and no longer want. Unfortunately, Harry says that it’s harder to sell art on the secondary market than one might think.
This fun event offers art lovers an opportunity to donate their artwork to a local charitable organization for a potential tax deduction. Art donors will fill out a donation form listing the artwork and its value, but will need to consult a tax professional to comply with IRS rules.
Claremont McKenna College's commitment to supporting our local Inland Empire non-profits expands this year through a new certificate program. This program will be facilitated by the Kravis Lab for Social Impact, a new office on campus. Some of you may know us from when we were under the Kravis Leadership Institute umbrella. We are excited to launch this program as one of our inaugural Kravis Lab community offerings.
Often when non-profits provide products and services, they define their impact by the execution of services, how many people they have reached, how many products used or other quantifiable evidence of service delivered. But is that impact? Kravis Lab defines impact as the effect or influence of one person, thing, or action, on another. This program asks non-profits to see beyond the number of people they have reached, and explore and identify the existing ways in which they are transforming the lives of those people and/or their communities because of their interventions.
This spring we are hosting a 4-workshop series to help non-profits implement tools to track their impact: Tools for Research & Evaluation Design – Making the Case for Funding. These series of workshops will support local non-profit and community-based organizations to design and implement a research and evaluation strategy that evidences the impact of their missions. Every month NPO/CBOs will learn a variety of tools for impact measurement, how to frame the story of their impact, and how to use it for influence, fundraising, recruitment and support. The final workshop will feature a funding panel who will help participants understand their funding evaluation criteria and guide them through developing a succinct framing of their impact strategy.
- Workshop #1: Feb 9 - Understanding Research and Evaluation Design – What Approaches are Right for Your Mission?
- Workshop #2: Mar 9 - How to Deploy the Model for Social Change – Designing Community Based Participatory Research Plans
- Workshop #3: April 13 - How to Use Secondary Data to Inform Your Research and Evaluation Plans
- Workshop #4: Jun 5 - How to Explain Evaluation to Funders – A Funders Panel and Poster Presentation on Research and Evaluation
Don't miss this important professional development opportunity for Arts Educators and Administrators.
Two day workshop on the New CA Arts Standards presented by the CA Arts Project
Download the Registration form below.
Auditions for Our Town will be held at Redlands Footlighters 11/26 & 27 at 7 PM.
If you are unable to make either night you may message me for an appointment. Rehearsals start 12/3 through 12/20, then break until 1/02/2019 for the holidays. Performances start i/26/2019 and run on weekends through 2/24/2019. Auditions will consist of cold readings from the script. If you are unfamiliar with the show, there is an excellent film of the Lincoln Center production with Spaulding Gray as the Stage Manager.
Cast of Characters:
Stage Manager (age and gender open) The host of the play and dramatic equivalent of an omniscient narrator. The driving force behind the action.
George Gibbs (20s to play from teen to 30s.) A decent, upstanding young man.
Emily Webb ( 20s to play from teen to 30s).George’s next door neighbor, then fiancé, then wife.
Dr. Gibbs (plays 30s-40s) The town doctor and Civil War expert.
Mrs. Gibbs (plays 30s-40s) George’s mother.
Mr. Webb (plays 30s-40s) Emily’s father and publisher and editor of The Grover’s Corners Sentinel.
Mrs. Webb( plays 30s-40s) Emily’s mother. Seems no-nonsense at first.
Mrs. Soames (age open) A gossip
Simon Stimson (age open) The choirmaster, an alcoholic and tragic figure.
Rebecca Gibbs (12-14) George’s younger sister.
Wally Webb (12-14) Emily’s younger brother.
Howie Newsome (age open) The milkman.
Joe Crowell, Jr.( teen) The paperboy
Si Crowel (teen) Joe’s younger brother
Professor Willard (age open) a professor at the state university.
Constable Warren (age open) A local policeman
Sam Craig (age open) Emily’s cousin.
Joe Stoddard (age open) The town undertaker.